|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
FEATURED
AUDIO:
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Recorded
during a reheasal in the legendary Soundworks rehearsal rooms in Bayswater,
November 1990. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
From
another Soundworks rehearsal, this time from the night of Wednesday March
11 1992. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Two
songs from the Beat Bongo Maniacs gig at the Ozone in Northbridge, Friday
October 13 1990. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The
best available version (taken from a rehearsal) of this terrific three
minute pop song,
composed
by Craig Weighell.
Seldom heard, this song was only ever performed during the Beat Bongo
Maniac's last run of gigs in April and May of 1992. |
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
An
interesting and reasonably earnest interview with Adrian, Val and John
on Fremantle's local FM station 100 FM on Wednesday April 15 1992. |
|
|
|
|
|
|
LIVE
AT THE OZONE (13/10/90)
Dancin'
Till Dawn / Scat / Music To Watch Girls By / Beat Bongo Maniac / Mexican Wake
Up Call / Feel For The Land / Spiderman / Yeah Yeah / Coca-Cola Is Coke /
George Of The Jungle / The Girl From Ipanema / Route 66 / Humphrey B. Bear
/ Turn Into Tomorrow / Tintin In Acapulco / Scat / Beat Bongo Maniac (reprise)
This
desk tape of the Beat Bongo Maniac Mk II's debut gig is the only known live
recording of the band. As it happens, it's a pretty good show, with a lively
audience (one girl in particular screams at the end of every song), and the
band is performing well. Loose, but plenty of inbetween song banter. As to
the recording, the instrument balance is the usual hit-or-miss that one expects
from a raw desk tape, but it has an adventurously wide stereo spread. There
is some wowing on the second half of the first side of the source cassette
though. The first song, "Dancin' Till Dawn", was not recorded on
the night (owing to Forgetful Mixer Syndrome), and has been substituted on
this album with the rehearsal version heard on "Rehearsals Volume 1". |
|
|
 |
|
|
|
|
|
|
|
|
|
|
REHEARSALS
VOLUME 1
(October
1989 rehearsal:) Music To Watch Girls By / Scat / Dancin' Till Dawn / Yeah
Yeah / Feel For The Land / Beat Bongo Maniac / Mexican Wake Up Call / Humphrey
B. Bear / Turn Into Tomorrow / Coca-Cola Is Coke / (25/9/90 rehearsal:) Dancin'
Till Dawn / George Of The Jungle (1) / George Of The Jungle (2) / George Of
The Jungle (3) / George Of The Jungle (4) / Spiderman (1) / Spiderman (2)
/ Mexican Wake Up Call
This
volume features recordings from two different band rehearsals. The first,
recorded at a rehearsal room in Osborne Park called called R & R, is a
song-by-song runthrough of the band's set for their debut gig at the Old Melbourne
Hotel's "Jack Kerouac Night" on Saturday October 21st 1989. This
recording was made with a split feed of a PZM microphone and the output of
the mixing desk in the rehearsal room taping onto a Tascam Portastudio with
Dolby Dbx noise reduction, the tape then being remixed in a studio and processed
with reverb. The result is a fairly balanced sound, although perhaps a little
muddy. It is the only recording available of the Beat Bongos Mk I incarnation.
The second rehearsal is from a cassette Walkman recording of the Mk II line-up
rehearsing at the Ozone on a Monday night when it was closed), a few weeks
before their first gig since the previous year's "Jack Kerouac Night"
at the Old Melbourne. Here, the band is primarily focusing its attention on
refining two new songs - a pair of TV cartoon themes.
|
|
 |
|
|
|
|
|
|
|
|
REHEARSALS
VOLUME 2
(October
1990 rehearsal:) Spiderman / George Of The Jungle / Girl From Ipanema / Route
66 / (October 1990 recording session:) Radio promo recording session / (13/10/90
soundcheck:) Music To Watch Girls By / The Girl From Ipanema / Route 66 (first
part only) / (November 1990 rehearsal:) Spanish Flea / The Getaway / Turn
Into Tomorrow
This
volume continues from the last, gathering together the rest of the Beat Bongos
Mk II rehearsal recordings from the latter part of 1990. The first batch comes
from a weekend afternoon rehearsal at R & R. Following that is about twenty
minutes of the band recording a radio promo spot for their upcoming Ozone
gig (the debut of the new line-up) to be aired on student radio station 6UVS.
The third recording is taken from the band's soundcheck on the afternoon of
the gig itself. The last batch of songs hail from a recording taped at a rehearsal
session at Soundworks in Bayswater some weeks later. Here, the band is rehearsing
new material to work into their repetoire - "Spanish Flea" and Georgie
Fame's "The Getaway". This is the only extant recording of the Beat
Bongos performing these two songs. |
|
 |
|
|
|
|
|
|
|
|
REHEARSALS
VOLUME 3
100
FM radio interview (15/4/92) / (11/3/1992 rehearsal:) Jam ("That's Life")
/ Turn Into Tomorrow / Take 9 (Klus Theme) / A Taste Of Honey / Coca-Cola
Is Coke / Feel For The Land
The first
track is an interview with Adrian, Val and John on Fremantle radio station
100 FM to promote the third and final line-up of the Beat Bongo Maniacs and
their short season of gigs commencing in April 1992. The rest of the disc
is a rehearsal session taped at Soundworks in Bayswater from a month before.
It begins with a 10 minute instrumental jammed version of a song known to
some of the band members as "That's Life", then continues with runthroughs
of established songs and rehearsals of new material such as "A Taste
Of Honey" and "Take 9" (the latter being an instrumental composed
the previous year by Val Adrian and Trevor for local artists Rodney Glick
and David Solomon for their "Klus" project). |
|
 |
|
|
|
|
|
|
|
|
REHEARSALS
VOLUME 4
(13/3/92
rehearsal:) messing around / Yeah Yeah / Tintin In Acapulco / Beat Bongo Maniac
/ Coca-Cola Is Coke / Take 9 (Klus Theme) / Feel For The Land / Mexican Wake-up
Call / TIntin In Acapulco / Route 66 / (25/3/92 rehearsal:) Swing Jam / Spiderman
/ Beatsville / JB's Love Tune
The first
session takes place at Soundworks on the eve of the band's first live
show in over a year, and is a fairly no-nonsense attempt at running through
the repertoire and trying to time how long it will take on the night.
The second session was taped in the loungeroom of a house in Subiaco that
Craig and Mike Fitzgerald used to rent, and it was a location that this
incarnation of the Bongos would use frequently around this time. On this
occasion, two weeks since the last recording, my cassette Walkman captures
a jam, a runthrough of "Spiderman", a rehearsal of a new song
of Craig's called "Beatsville", and a rehearsal of an even newer
song of John Bannister's which went under the working title of "JB's
Love Tune".
|
|
 |
|
|
|
|
|
|
|
|
REHEARSALS
VOLUME 5
(1/4/92
rehearsal:) messing around /Spiderman / Beatsville / Tintin In Acapulco
/ JB's Love Tune / (home demo:) JB's Love Tune / (8/4/92:) Jam ("Do
What You Do") / Jam ("I Keep Thinking It's Thursday") /
Yeah Yeah / Spiderman / Jam ("I Don't Know") / Swing Jam
Two more
Soundworks rehearsal sessions. The first consists of rehearsals of some of
the newer songs as well as some older ones - "Spiderman" and "Tintin
In Acapulco" seem to crop up quite frequently in these volumes for some
reason or other. The second session features some interesting jams - Vals'
Bluesy "Do What You Do", and the rambling, jungly "I Keep Thinking
It's Thursday". My Walkman batteries were flat when I taped on this day,
and the last two songs suffer badly from distortion. And in fact the batteries
finally run out during the last track, which endly in a comical fashion by
starting to speed up faster and faster until it abruptly stops. This volume
also includes a home-studio demo of "JB's Love Tune" that I recorded
on the same night as the April 1st rehearsal session.
|
|
 |
|
|
|
|
|
|
|
|
REHEARSALS
VOLUME 6
(13/4/92
rehearsal:) Jam ("Freedom For All The People") / Jam ("Let's
Go Fishing") / Right Now / Beatsville / Darrel spits the dummy / Tintin
In Acapulco / JB's Love Tune / (15/4/92 rehearsal:) Jam ("Coffee Song")
/ Blues Jam / Jam ("Safari") / Jam ("Don't You Ever Stop")
/ Right Now / Beatsville / Jam ("House Of The Rising Sun") / JB's
Love Tune / Beatsville / JB's Love Tune / listening to the radio
These
two sessions represent the last recordings of the Beat Bongo Maniacs. The
first session is from a Soundworks rehearsal, and features a typical mix of
extended jams (a dodgy faux-reggae groove called "Freedom For All The
People") and rehearsals of the usual songs, including a cover of the
Ray Charles song "Right Now" sung by Val. The second session was
taped at the house in Subiaco that Craig and Mike shared (along with Darrel).
The most interesting jam from this date is an embryonic version of an instrumental
that eventually became known as "Safari" when it was recorded a
few months later by Adrian, Val and myself. There are more rehearsals of "Right
Now" and the other two new songs "Beatsville" and "JB's
Love Tune". The mood seems quite relaxed, considering it is the night
before the first of a series of live gigs, and the band only stops playing
to listen to the broadcast of a radio interview recorded earlier that day
featuring three of the Beat Bongos (this interview is on the start of Volume
3).
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
 |
|
|
|
|
|